Not everyone is in favour of making it into a linear DAW a la Protools/Logic/Sonar/Cubase/DP etc.
#Protools 12 playlists pro
PT7 and 8 use the Elastique Pro algorithm, which is exactly the same as complex pro mode in Live 8. Pro Tools has been around since 1991 after all and specifically designed as an audio recording medium, one reason why it's MIDI functionality was not as good as other DAWS until very recently.Īs for stretching - play with parameters.
I think that audio editing as a whole is a weakness in Live, which is why I tend to use other products for those purposes, but as the product grows it is adding new features and gaining more of the common features. But now, rather than lug around my whole PT rig, I'd love to use Live + my Apogee Duet for mobile recording.īetter comping is something which would benefit Live.īTW, Cubase, DP, Sonar and Logic (esp since v8) all have extensive comping features similar to PT. Or am I wrong about that? Until crossfades appeared, I never considered using Live for real recording. I suspect this weakness remains since most folks don't seem to use Live as a regular DAW for multitrack recording, but rather as a clip launching live performance tool. It's ok, but unwieldy.Īnyone have other great workflows for this kind of thing? Copy & paste the bits you like into yet another track (also in the group) & then mute all the takes so only the comp is unmuted. All the takes are then visible at once on the different tracks, and you can audition the takes by juggling the Mute buttons. I've just been recording each take to a different track in arrangement view, and group all these tracks.
#Protools 12 playlists how to
But it's really awkward for comping, with all the muting/unmuting, and you're left with all these tracks sitting around, unless you delete them all (which prevents you from fixing things later if you notice something after your initial comp).ĭoes anyone use Live as a DAW in this way, and have suggestions for how to get a good multi-take workflow going? Or is this really the best way to do it in Live?Įdit: In your group setup, do you copy a bunch of clips to the arrangement page so you can see them all? This would make it easier to cut/size/drag/paste onto a final comped track-option drag to keep original.
The closest I've come is to create a group of tracks, and put the plugins on the group. I know Logic (& most DAWs) has the same capability, but I can't figure out how to do a similar thing in Live (I have Suite. You can go back any time, if you notice something you don't like, and grab it from one of the other takes. This way, you have your plug-ins just on the one track, saving processor power, and you don't have 12 different tracks of the same thing to mute/unmute just to hear what you're working with when comping. In short, if you have all your other tracks set to go, you can record your next part multiple times in multiple playlists, and switch between them to see which you like better, and then copy & paste them together into a comp track of all the best bits. I come from a Pro Tools background, and am very used to the playlists feature.
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